Salomé Lamas. Extinction, 2018
Salomé Lamas. Extinction, 2018

SONAE Room

entry: General Conditions

SALOMÉ LAMAS. EXTINCTION, 2018

2018-09-21
2018-11-25
Curatorship: Emília Tavares
Salomé Lamas’ most recent film was made in the midst of conflict, during the annexation of the Ukrainian peninsula of Crimea by Russia (2014/2015) and is a complex reflection on the meaning of border, national identity and imperialism, crossing through checkpoints between Bulgaria, Moldova, Romania and Ukraine.

Built around a documentary and fictional plot, the film centres on Transnistria, a small country with a complex political and social history, which clearly shows the power play in the region between Russia and its bordering countries, all formerly part of the USSR. Although it belongs to Moldova, Transnistria claims its independence together with integration into the Russian Federation, an aspiration which is recognised neither by the Kremlin nor internationally. This does not prevent the existence of a clear occupation of social, political and economic influence in this small country by Russia, creating yet another constant source of tension in the region.

The film also expresses the confrontation of memory (through literature and monuments) with the decadence of a future, through the character Kolja, who has Moldovan nationality but claims his Transnistrian identity. Symbolically, Kolja was born at the time of the fall of the communist regime and is conflicted by a drifting identity and a feeling of unconditional love for his homeland. Kolja's life is also the reflection of a historical confrontation between East and West, exposing the weaknesses of the project of the European Community in the face of the imposition of a new wave of nationalisms and autocratic regimes.  

Extinction is a film which takes a stand, and in this sense allows us to overcome many of the preconceived ideas about Eastern Europe and its recent history, which we see as entrenched in a polarity of communism and post-communism, but which is much more complex than that, and which finds its loudest expression in the divorce of politics from life. 

Emília Tavares

Curator






Press Clipping

Activities

    2018-09-21 19h00
    Documentation and creation in the cinema of Salome' Lamas
    2018-11-06 19h00
    Documentality in the work of Salomé Lamas. Conference by Sara Magno
All Activities 2

On Exhibition

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2022-11-25
2022-12-30
MOSAIC | a collective imagination
Colective Exhibition

Echoes of Nature

Manuela Marques

2022-10-21
2023-01-29
Curatorship: Emília Tavares
Exhibition within the scope of the Portugal-France 2022 Season
Solo show

IMAGO LISBOA Photo Festival

Harri Pälviranta

2022-10-07
2023-01-08
The IMAGO LISBOA Photo Festival is a remarkable event in the national and international photography scene. This year with the exhibitions “Battered”; “Choreography of Violence”; “News Portraits”
Solo show

Multiplicity

Lisbon Architecture Triennale

2022-10-02
2023-01-08
Curatorship: Tau Tavengwa, Vyjayanthi Rao
We hold a major forum of the Lisbon Architecture Triennale every three years for the debate, discussion and dissemination of architecture that crosses geographic and disciplinary boundaries.
Colective Exhibition

WHY?

2022-09-23
2023-01-08
Curatorship: Ana Matos
WHY? CONTEMPORARY ART IN DIALOGUE WITH THE THOUGHT OF JOSÉ SARAMAGO
Temporary Exhibition

Veloso Salgado

from Lisbon to Wissant. Itinerary of a Portuguese painter

2022-07-02
2022-12-15
Curatorship: Maria de Aires Silveira, MNAC e Elikya Kandot, Directora do museu de Boulogne-sur-mer
Exhibition Veloso Salgado from Lisbon to Wissant. Itinerary of a Portuguese painter - integrated in the Portugal-France Season (Crusade)
Other places

Since 1911

2022-05-26
2024-04-01
An intervention that celebrates 110 years of the MNAC.
111 years

Maria Eugénia & Francisco Garcia

A Colection

2021-11-18
2022-12-31
Curatorship: Maria de Aires Silveira, Cristina Azevedo Tavares e Raquel Henriques da Silva
MNAC exhibits the collection of Maria Eugénia and Francisco Garcia
Temporary Exhibition